Forge and Caponata, LondonEconomics makes extended-term jazz lineups rarities, and opportunities to follow evolving relationships in this open and participatory music don’t come that often. Lighthouse is an exception. UK saxophonist and composer Tim Garland formed it to play his own music more than seven years ago, however its young pianist Gwilym Simcock has since emerged as a earth-class jazz star, and in the action transformed the dynamics of this trio. Garland, Simcock, and the exciting earth-music percussionist Asaf Sirkis played London’s Forge & Caponata on their contemporary album launch tour, unleashing fireworks not always apparent on the fresh release.Garland’s affections for Celtic folk-strains and quick-moving, Latin-inflected jazz (the latter inspired by his years as a Chick Corea sideman) are nowadays enhanced by Simcock’s classically underpinned harmonic ingenuity and contrastingly earthy funkiness. Sirkis envelops it all in a percussion soundscape that fuses jazz, north African and Middle Eastern music. The Corea strand quickly surfaced in the whirls and stamps of Garland’s flamenco-influenced opener Bajo del Sol. Simcock gradually introduced a Keith Jarrett-like gospel hook to a phrase-swapping dialogue with Garland’s soprano sax on the folk-theme Wind on Aqua, and the skipping theme of Simcock’s King Barolo emerged after a chiming Hang-drum intro from Sirkis. Garland’s blend of muscularity and vulnerability on slow tenor-sax pieces – one of his greatest strengths – unfolded on the ballad Silent Immediately, and Simcock’s lateral-thinking erudition joined Samuel Barber harmonies, a driving left-palm hook and bursts of salsa chordwork on Barber Blues.In the second half, the band sounded much more like the dynamically democratic organism Garland declared it had become. His lively tempo-juggler Above the Sun sparked an exhilarating exchange between Simcock and Sirkis; the tenor-sax lament One Morning swooped over Sirkis’s palm-drumming on the gurgling bass udu. Though the uptempo Weathergirls was closer to generic postbop, outside of it Simcock wrestled a captivatingly loop-like solo of rising intensity.Rating: 4/5JazzGwilym SimcockJohn Fordhamguardian.co.uk © 2012 Twitter News and Media Limited or its affiliated companies. All rights reserved. | Employ of this content is subject to our Terms & Conditions | More Feeds
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